Blog - Tag: Press

Stephen Coates | Interview | Paris DJs

Stephen Coates (The Real Tuesday Weld) is interviewed here by Nicolas Ragonneau, for Paris DJs.

Independent on Sunday | Lazarus and The Plane Crash | Horseplay | ****

Lazarus And The Plane Crash 'Horseplay'

Horseplay, whose oversized packaging folds out into a Ouija board, is a peripatetic, eclectic magpie’s nest of styles, with Coles alternating between a badass Beef-heartian blues rasp and a more courtly Cole Porter diction, while Coates provides an alluring cut-and-past backing of vintage found sounds.

Independent on Saturday | Lazarus and The Plane Crash | Horseplay

Lazarus And The Plane Crash 'Horseplay'

Supposedly recorded in boozy single takes, this “collision” between The Real Tuesday Weld’s Stephen Coates and the Guillotines’ Joe Coles is a lusty pile-up of bad-ass blues polkas. Subtle it isn’t, but the reckless racket is bracing and the mock-machowit (“I’m manly, I’m Desperate Danly!”) is leavening. The sleeve is a Ouija board, the noise within might just raise the dead.

Soundsxp Review | The Real Tuesday Weld | Songs for The Last Werewolf

The Real Tuesday Weld 'The Last Werewolf'

Like I, Lucifer before it, The Last Werewolf is inspired by a novel by Mancunian author Glen Duncan who stated in interview that The Real Tuesday Weld has “the depressing knack of getting into three verses and a chorus what I’ve just spent 100,000 words on”. The themes on the record are transformation and the loss of what you love (werewolves being such inconsiderate lovers), and it has the right degree of violence, debauchery and decadence, suffused with film noir atmospherics.

Americana UK Review | The Real Tuesday Weld | Songs for The Last Werewolf – 7/10

“Songs for The Last Werewolf” is an album of music inspired by Glen Duncan’s book of the same title. It sits somewhere between the soundtrack of a non-existent movie, adding atmosphere to the unfilmed scenes, and with the mixture of music and snatches of spoken word – presumably dialogue from the novel – a musical interpretation of the novel. Here though the music tells the story arc by itself that it could stand alone well enough without these additional narrative hints.

The Real Tuesday Weld | All Hallows Eve | Westminster Library, London

Come and join The Real Tuesday Weld, author Glen Duncan and The Miserable Rich for a very special evenining at Westminster Library courtesy of Arctic Circle.

Subba-Cultcha Review | The Real Tuesday Weld | Songs For The Last Werewolf - 10/10

Perfect and dazzling latest release from The Clerkenwell Kid and his band of Merry Men – The Real Tuesday Weld –  returning with part-theatrical retelling of the Glen Duncan book, 'The Last Werewolf' and part-mythical-musical mystery tour through genres and rabbit-holes eternal…

Word Review | The Real Tuesday Weld | Songs for The Last Werewolf

We love a madly ambitious art project. On this album, Stephen Coates’ art-jazz ensemble provides mistletoe-free music and lycanthropic lyrics to accompany Glen Duncan’s self-explanatory novel The Last Werewolf. Its quite brilliant. Oh, and Piney Gir guests on the album. How circular.

Uncut Review | Lazarus and The Plane Crash | Horseplay | ****

Stephen Coates – aka The Real Tuesday Weld – is generally known for his artful rewiring of antique swing 78′s, so the opening track of his soundtrack to Glen Duncan’s novel, a blood-curdling, throat-shedding howlin’ wolfman blues, is something of a departure. Elsewhere “Love Lust Money”, “The Hunt” and “Tear Us Apart” propose a flappertronic marriage between 1920′s darling Anita Loos and the Pet Shop Boys’ Neil Tennanant.

Crammed Discs Review | The Real Tuesday Weld | Songs for The Last Werewolf

The Real Tuesday Weld's album 'The Last Werewolf' takes Glen Duncan's novel as the backdrop for a widescreen emotional cabaret tailor-made for the iTunes generation, for the album is both a high-concept soundtrack plus a diverse playlist for the eclectic of ear and heart, all held within the band's own genre 'Antique Beat'.

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