Blog - Tag: Stephen Coates

PopMatters Review | The Real Tuesday Weld | Songs for The Last Werewolf - 5/10

PopMatters introduces us to Glen Duncan and his novel 'The Last Werewolf' & Stephen Coates' musical rendering of the latter. This music review, published by the international online magasine, takes a look at the matching public profiles of both author Duncan and artist Coates, and how their literary and musical geniuses combined is a recipe for a heavenly mix!

Crammed Discs Review | The Real Tuesday Weld | Songs for The Last Werewolf

The Real Tuesday Weld's album 'The Last Werewolf' takes Glen Duncan's novel as the backdrop for a widescreen emotional cabaret tailor-made for the iTunes generation, for the album is both a high-concept soundtrack plus a diverse playlist for the eclectic of ear and heart, all held within the band's own genre 'Antique Beat'.

BBC Radio 4's Front Row | The Real Tuesday Weld & Glen Duncan

Front Row’s Kirsty Lang talks to Glen Duncan and Stephen Coates about The Last Werewolf – broadcast on Tues 16th Aug.

Soundcheck Review | The Real Tuesday Weld | Songs for The Last Werewolf

"Stephen Coates really got into this Last Werewolf project. Maybe a little too into it. Taking Glen Duncan’s novel of the same name as his inspiration, he’s created not only one of my favorite records this year but also a playlist of werewolf songs."

Mashable's Turntable Room | The Real Tuesday Weld | Songs for The Last Werewolf

Today Coates will be hitting the decks, promoting his new album 'The Last Werewolf', which is simultaneously the soundtrack to a book by the same name, written by Glen Duncan.

RCRD LBL | The Real Tuesday Weld | Me and Mr Wolf

The Last Werewolf by The Real Tuesday Weld

It’s probably the best dinner party music we’ve ever heard. With its whispered dialogue, orchestral turns, gleeful winds and strings, and mild electrobeats, The Real Tuesday Weld's "Me and Mr. Wolf" is a bridge from the generation who digs this kind of thing to the generation who’s never understood it. Count us now in the former, and keep your eyes peeled for The Last Werewolf, coming on Six Degrees, July 12.

Enter The Shell Review | The Real Tuesday Weld | Songs for The Last Werewolf

The Last Werewolf by The Real Tuesday Weld

Turning our sights from hit-makers and ground-shakers, this week we take a look at the formation of a new type of music that’s slowly making its way into our ear-holes. London-based The Real Tuesday Weld offers up their self-titled “antique-beat” style that’s mixing the likes of early 20th century jazz with electronic beats (it’s also called “electro-swing"). The band is set to release its 7th studio album, 'The Last Werewolf', on the 12th.
As Cyrus (the Warriors) and Booker T once asked:  “can you dig it!?”  Methinks yes.

CBS Radio’s “Street Date” | The Real Tuesday Weld | The Last Werewolf

The Last Werewolf by The Real Tuesday Weld

The Real Tuesday Weld is most commonly known for their song 'I Love The Rain' which is featured in Chevrolet car commercials. The band also have three songs featured on the videogame L.A. Noire. This public exposure to the band has given them renewed popularity in the music world.

The Real Tuesday Weld | Event | Café du Nord, SAN FRANCISCO

"Originally inspired by a dream of British 1930s crooner Al Bowlly and American actress Tuesday Weld, Stephen Coates began to create music to try to recreate the sounds he heard in his childhood home – ‘the crackling of radios playing swing and easy listening in some distant room.’ As The Real Tuesday Weld, Coates doesn’t hesitate to put those sounds to subversive use much like some of his most illustrious forebears and influences—such as Serge Gainsbourg and Ennio Morricone."

The New York Daily's Jim Farber Review | The Real Tuesday Weld | The London Book of the Dead

The Last Werewolf by The Real Tuesday Weld

Take, for example, the songs of Stephen Coates, who records under the cinematic name The Real Tuesday Weld. Coates' work features snatches of dialogue, intrusions of sound effects and at least the hint of a plot... "When I write, I need a narrative to work with," he says, "pop songs about romantic love may be great but you exhaust that at some point and want to look for something more."

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